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G pro video formats update#
G pro video formats pro#
G pro video formats mac#

Night Mode: This video mode optimises footage in low-light scenarios such as sunsets and sunrises, reducing noise for cleaner shots.HLG: Provides higher dynamic range, capturing footage that does not require colour tuning in post-production.

G pro video formats update#

A firmware update has added D-Log M colour mode for the Hasselblad camera for the Mavic 3 Classic and Mavic 3/Mavic 3 Cine.

G pro video formats pro#

Mavic 3 Pro/Mavic 3 Pro Cine support the new 10-bit D-Log M colour mode.

10-bit D-Log: Provides more natural colour gradations for greater flexibility in post-production.

Hasselblad Native Colour Solution (HNCS): Delivers vivid natural colours.

Mavic 3 Cine supports Apple ProRes on the Hasselblad camera.ĭCI 4K 120 fps for HD slow-motion videosĭCI 4K 120 fps for HD slow-motion videosĭJI Mavic 3 Pro & Mavic 3 Pro Cine Vs Mavic 3 Classic Vs Mavic 3 & Mavic 3 Cine - CameraĪll of the Mavic 3 platforms are quality content-creation drones, sharing key features such as the 4/3 CMOS Hasselblad sensor for 20MP imaging, and ability to shoot 5.1K/50fps video and epic 4K/120fps slow-motion.Įngineered for quality content creation and utilising that Hasselblad sensor, all of the Mavic 3 drones have: Mavic 3 Cine: Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT Mavic 3 Pro Cine has tri-camera Apple ProRes support. Mavic 3 Pro Cine: Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes 422 LT Unfolded (without propellers) 347.5 x 283 x 107.7 mm Unfolded (without propellers): 347.5 x 283 x 107.7 mmįolded (without propellers): 221 x 96.3 x 90.3 mm The table below shows a quick, at-a-glance comparison between the Mavic 3 Pro, Mavic 3 Pro Cine, Mavic 3 Classic, Mavic 3, and Mavic 3 Cine.įolded (without propellers): 231.1 x 98 x 95.4 mm Mavic 3 Pro Vs Mavic 3 Pro Cine Vs Mavic 3 Classic Vs Mavic 3 Vs Mavic 3 Cine - Key Specs

So, what's the difference between the five platforms, who are they aimed at, how do they impact your content creation, and what upgrades are packed into the new Mavic 3 Pro/Mavic 3 Pro Cine compared to the previous iterations? Find out in this comparison blog. These two new content-creation drones follow the original Mavic 3 and Mavic 3 Cine - unveiled in November 2021 - and the Mavic 3 Classic, which arrived a year later.

Mavic 3 Classic has a lower price - making it a more cost-effective, budget option.ĭJI has upgraded its Mavic 3 range, releasing the DJI Mavic 3 Pro and Mavic 3 Pro Cine.

The new Mavic 3 Pro Cine has tri-camera ProRes support, while ProRes is only supported on the Hasselblad camera of the older Mavic 3 Cine

DJI Mavic 3 Pro Cine and Mavic 3 Pro Cine - aimed at pro-filmmakers - support Apple ProRes and have 1TB built-in storage.

Mavic 3 Pro and Mavic 3 Cine also feature dual Tele cameras, while Mavic 3 and Mavic 3 Cine have a single Tele camera.All five drones have a quality 4/3 CMOS Hasselblad sensor.In-depth comparison between the DJI Mavic 3 Pro, DJI Mavic 3 Pro Cine, DJI Mavic 3 Classic, DJI Mavic 3, and DJI Mavic 3 Cine - all designed for aerial content creation.And you can fit more footage on every card because ProRes RAW files are smaller than standard formats.

G pro video formats mac#

You can render and export faster with ProRes RAW than you can with other raw formats-ProRes RAW is optimized for macOS and the latest Mac computers.

ProRes RAW also provides maximum flexibility for adjusting the look of your video while extending brightness and shadows. With ProRes RAW, you can import, edit, and grade video with RAW data straight from your camera sensor - without slowing down your edit. When you store a clip in the ProRes RAW format rather than in a proprietary camera raw format, you get more control over the processing of the image, including demosaicing, linear-to-log conversions, and custom LUTs. ProRes RAW brings the same great performance, quality, and ease of use to raw video that ProRes has brought to conventional video. ProRes RAW is based on the same principles and underlying technology as existing Apple ProRes codecs, and is ideal for High Dynamic Range (HDR) content creation in Final Cut Pro, Motion, and Compressor. The Apple ProRes codec family provides an unparalleled combination of real-time, multistream editing performance, and impressive image quality preservation.